In the archive, color comes from the object, not the photograph.
I sample color from the thing itself — a petal, a weathered board, the iron on a century bridge. The photograph sits beside the color as a witness to the place, not as the source. That distinction governs the archive. Personal color work uses a separate confidence model: in-person sensor reads first, remote photos second, never collapsed into the same claim.
Read the method →One reading. Yours to reuse.
Get your Unichrome ID — the season and signature colors that actually work with you, so you stop buying the ones that don’t. Free to start from your photos, and yours to carry forward.
Get your colorsEvery two weeks. Usually a color. Sometimes a place.

